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Jump to navigation Jump to search This article is about the Emma Lazarus sonnet. For the 2017 video game, see Wolfenstein II: The New Colossus. 1883 to raise money for the construction of a pedestal for the Statue of Liberty. This poem was written as a donation to an auction of art and literary works conducted by the “Art Loan Fund Exhibition in Aid of the Bartholdi Pedestal Fund for the Statue of Liberty” to raise money for the pedestal’s construction. The New Colossus” was the first entry read at the exhibit’s opening on November 2, 1883.
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It remained associated with the exhibit through a published catalog until the exhibit closed after the pedestal was fully funded in August 1885, but was forgotten and played no role at the opening of the statue in 1886. On the plaque hanging inside the Statue of Liberty, the line “Keep ancient lands, your storied pomp! Lazarus’s manuscript “Keep, ancient lands, your storied pomp! The original manuscript is held by the American Jewish Historical Society.
The air-bridged harbor that twin cities frame. Keep, ancient lands, your storied pomp! The wretched refuse of your teeming shore. I lift my lamp beside the golden door! The poem is a Petrarchan sonnet. The title of the poem and the first two lines refer to the Colossus of Rhodes, one of the Seven Wonders of the Ancient World, sometimes described as standing astride the harbor. The “sea-washed, sunset gates” are the mouths of the Hudson and East Rivers, to the west of Brooklyn.
The “imprisoned lightning” refers to the electric light in the torch, then a novelty. The “air-bridged harbor that twin cities frame” refers to New York Harbor between New York City and Brooklyn, which were consolidated into one unit in 1898, 15 years after the poem was written. Paul Auster wrote that “Bartholdi’s gigantic effigy was originally intended as a monument to the principles of international republicanism, but ‘The New Colossus’ reinvented the statue’s purpose, turning Liberty into a welcoming mother, a symbol of hope to the outcasts and downtrodden of the world. Cunningham wrote that “The Statue of Liberty was not conceived and sculpted as a symbol of immigration, but it quickly became so as immigrant ships passed under the torch and the shining face, heading toward Ellis Island. However, it was that permanently stamped on Miss Liberty the role of unofficial greeter of incoming immigrants.